{"id":24257,"date":"2026-10-24T19:21:52","date_gmt":"2026-10-24T19:21:52","guid":{"rendered":"https:\/\/in-greece.com\/index.php\/2026\/10\/24\/greece-still-sings-his-songs\/"},"modified":"2026-10-24T19:21:52","modified_gmt":"2026-10-24T19:21:52","slug":"greece-still-sings-his-songs","status":"publish","type":"post","link":"https:\/\/in-greece.com\/index.php\/2026\/10\/24\/greece-still-sings-his-songs\/","title":{"rendered":"Greece Still Sings His Songs"},"content":{"rendered":"


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The Manos Loizos legacy reached a milestone this week, with the 89th anniversary on Thursday 22 October of the composer\u2019s birth.<\/strong><\/p>\n

The Greek Cypriot composer wrote the music for \u201cJamaica\u201d, \u201cOla Se Thymizoun\u201d and \u201cKalimera Ilie\u201d. He died in Moscow in 1982, aged just 44. Even so, the Manos Loizos legacy endures, and his songs remain a fixture of Greek concerts, radio and family gatherings. He worked with lyricists Lefteris Papadopoulos and Manolis Rasoulis, and with singers including Haris Alexiou and Giorgos Dalaras.<\/p>\n

Where the Manos Loizos legacy began<\/em><\/h3>\n
\"Manos<\/source><\/picture>
Haris Alexiou in concert at the Berlin University of the Arts, Berlin, on Saturday 21 October 2006. Photo: Inge Kanakaris-Wirtl, Wikimedia Commons, CC BY-SA 2.5<\/figcaption><\/figure>\n

Manos Loizos was born on 22 October 1937 in Alexandria, Egypt, according to his Wikipedia biography<\/a>. His father, Andreas Loizou, came from the village of Agioi Vavatsinias<\/a> in the Larnaca district of Cyprus. Despina Manaki, his mother, had roots in Rhodes. Some accounts instead place his birth in Cyprus, before the family moved to Egypt.<\/p>\n

At the age of seven, he began studying the violin. Initially he played as an amateur, then studied at the National Conservatory of Alexandria. Still, he never completed formal musical training, and biographers describe him as largely self-taught.<\/p>\n

Read more: Greek National Opera Brings Kazantzakis and Zorba to New York<\/p>\n

After graduating from the Averofeio high school in 1955, he moved to Athens to study. He enrolled in pharmacy, then switched to economics and briefly studied painting. By 1960, he had left university. He then worked as a waiter, a graphic designer and a musician in small music clubs.<\/p>\n

In 1962, Mikis Theodorakis chose him to lead the choir for performances of \u201cOmorfi Poli\u201d. Later that year, he recorded his first single, a setting of words by Federico Garc\u00eda Lorca sung by Giorgos Moutsios.<\/p>\n

Songs written with Lefteris Papadopoulos<\/em><\/h3>\n

His closest creative partner was the lyricist Lefteris Papadopoulos, a personal friend. Much of the Manos Loizos legacy rests on this partnership. Together, they released \u201cO Stathmos\u201d in December 1968, the first album issued under the Minos label, with Giorgos Dalaras, Giannis Kalatzis and Litsa Diamanti singing.<\/p>\n

Additionally, the pair wrote \u201cThalassografies\u201d in 1970 and \u201cNa \u2019Hame Ti Na \u2019Hame\u201d in 1972, whose lyrics the dictatorship\u2019s censors cut. Their songs include \u201cJamaica\u201d, \u201cAh Helidoni Mou\u201d, \u201cDen Tha Xanagapiso\u201d and \u201cO Koutalianos\u201d.<\/p>\n

In 1979, he released \u201cTa Tragoudia Tis Haroulas\u201d, sung entirely by Haris Alexiou with lyrics by Manolis Rasoulis and Pythagoras. Although critics attacked it at first, the album went on to reach platinum sales. It includes \u201cOla Se Thymizoun\u201d, one of the biggest hits of her career. Her recordings form a key part of the Manos Loizos legacy. In 2024, Greek City Times reported that she paid tribute to Loizos on stage at a concert honouring the lyricist.<\/p>\n

He also worked with lyricists Fontas Ladis and Yannis Negrepontis. Similarly, singers Maria Farantouri, Vasilis Papakonstantinou and Dimitra Galani recorded his songs. His last album during his lifetime, \u201cGia Mia Mera Zois\u201d, appeared in December 1980.<\/p>\n

Politics, censorship and arrest<\/em><\/h3>\n

Loizos belonged to the Communist Party of Greece<\/a> and spoke openly against the military dictatorship. He wrote both the music and the lyrics of \u201cChe\u201d, dedicated to Che Guevara. That stance remains part of the Manos Loizos legacy.<\/p>\n

When the colonels\u2019 regime<\/a> took power, he left for England in September 1967. He returned early the following year. In 1972, he helped found the Union of Greek Composers and Lyricists. The union campaigned against cassette piracy and censorship.<\/p>\n

On the night of 17 November 1973, during the Athens Polytechnic uprising, he was arrested at his home in Cholargos. Authorities held him for ten days. That same month, he was recording the album \u201cKalimera Ilie\u201d, with lyrics by Dimitris Christodoulou. Haris Alexiou, Kostas Smokovitis and Aleka Aliberti sang on it.<\/p>\n

Later, in 1976, Giorgos Dalaras recorded \u201cTa Tragoudia Mas\u201d, with lyrics by Fontas Ladis. The state broadcaster censored nine of its 11 songs. Political songs such as these shaped the Manos Loizos legacy. Greek City Times listed the album among the classics Greece still sings in August 2026. In 1978, Loizos became president of the composers\u2019 union.<\/p>\n

Final months in Moscow<\/em><\/h3>\n

In October 1981, he entered hospital in Athens with pericarditis and kidney failure. Following a stroke on 8 June 1982, he travelled to Moscow for treatment in August.<\/p>\n

There, he suffered a second stroke on 7 September and died ten days later, on 17 September 1982. He was buried at the First Cemetery of Athens on 25 September.<\/p>\n

The Manos Loizos legacy also includes his final album, \u201cGrammata Stin Agapimeni\u201d, released after his death in October 1983. It gathered his own recordings of poems by Turkish poet Nazim Hikmet, in Greek translations by Yannis Ritsos.<\/p>\n

In 1985, more than 50,000 people attended a memorial concert at the Athens Olympic Stadium. Dalaras, Alexiou, Kalatzis, Galani and Papakonstantinou performed there. Greek City Times has also profiled how Dalaras recorded with almost every major composer of his time, Loizos included.<\/p>\n

Greece\u2019s music world marked 2007 as Manos Loizos Year, for 70 years since his birth and 25 since his death. Today, the Manos Loizos legacy lives on through new performers. They keep his melodies alive in concert halls and on the radio.<\/p>\n

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